Skip to main content

Grateful Dead Live at Saratoga Performing Arts Center on 1983-06-18

Audio Preview

etree
Grateful Dead Live at Saratoga Performing Arts Center on 1983-06-18




Set 1

Bertha-> Jack Straw, Bird Song, Mexicali Blues-> Big River, Althea, Hell In A Bucket-> Deal

Set 2

Scarlet Begonias-> Fire On The Mountain, Playin' In The Band-> Drums-> The Wheel-> Playin' In The Band Reprise-> Morning Dew, Throwing Stones-> Not Fade Away-> Touch Of Gray, E:Don't Ease Me In-> E: One More Saturday Night


Collection GratefulDead
Band/Artist Grateful Dead
Venue Saratoga Performing Arts Center
Location Saratoga Springs, NY

Source Set 2 Only; Original Recording By Jeff Silberman; Sennheiser 441 (Front Row Balcony) > PCM > Dat >?; DAT Transfer Info: Friend's Dat (2 Hour) > (Possibaly 1 PCM) > (Unknown Cassette Deck) > Tape TDK MA 110; Transfer Information: Nakamichi MR-1 > Korg MR-1000 @ 1Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taped by Jeff Silberman
Transferred by Keo

Notes

* Please Note We Are Not 100% sure Of The Actual Lineage
Before The DAT Copy Used For This Tape!*

** My Recollection From This Time Frame and My Tape Was My
Friend Made Several Copies To Tapes (Multiple Decks Used
At Once) For His Friends From The DATS He Received. Most
Likely From Listening To This Tape It Came From One Of
Those Dubbing Sessions.Though A Very Slight Possibility
It Was Put To PCM Before He Dubbed To My Tape. Again
Having Multiple Tapes Dubbed From His PCM Most Likely Not! **

Comments:While Listening to another PCM source of this show
I remembered this tape tucked away.In the time frame (Early 90's)
When I received this tape I was graced to have access of complete
shows of my friends masters fresh off of tour, needless to say
they took a higher priorty listening to them then this one did.
Some distortion in some areas and a few small digi snits from
somewhere in the lineage, still all in all a nice listen!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

comment
Reviews

Reviewer: tanman82 - favoritefavoritefavorite - December 3, 2015
Subject: monumental DEW
Garcia screamin about a 'young man!!" the 1st guitar break he shreds and Phil is everywhere. the final climactic guitar break smokes as well, brent is wailing on organ, everyone is doing it. if there was a serious quality SBD of this show it would really shine

just too bad there is no SBD of any kind or a gift would be something of the quality of the philly dew from the spring that is a really good SBD

d.lemiex says this show doesnt exist in the vault and none have surfaced in circulation one of the few shows post 76 not in the 'vault' and not in circulation ie it was passed around at some point but never made it back to GDP. either it was never taped or taped and lost soon after the show, tour. at glens falls in either 81 or 82 i found a cassette on the floor while leaving the show. it was a SBD of the 1st set !!!
Reviewer: McKush - favoritefavoritefavoritefavorite - April 29, 2013
Subject: solid 83
great show, " short" first set but ripping from the get go, i really like the " i can see clearly now" riffs by brent at the start of scarlet gets the crowd going nicely. and buckle up it is a great 2nd se.
Reviewer: Dave B 1986 - favoritefavoritefavoritefavorite - April 29, 2013
Subject: The scarlet keeps going
The jam within Scarlet is great - just when you think it's peaked, they go round again. I tend to lean toward soundboards, but the crowd noise here adds energy without detracting...unusual transition to fire, slowing way down at about the 12 minute mark, worth a listen
Reviewer: Deadhead225 - favoritefavoritefavoritefavorite - April 29, 2013
Subject: Good Source
Fantastic show. Nothing more you really need to say.
This is a good source. Has some range that the more recent Beyer does not have. I think I still like the Beyer better tho.

I might be wrong, but I don't think there were any digital PCMs in June of '83. I think we were still at Betamax being the most advanced at that point. I am guessing this had a D5 as its original source.
In Collection
Grateful Dead
In Collection
Live Music Archive
Uploaded by
Matthew Vernon
on 4/29/2013
Views
1,904
Reviews
4
SIMILAR ITEMS (based on metadata)
Grateful Dead
by Grateful Dead
etree
eye 881
favorite 0
comment 0
Source: Set 2 Only; Original Recording By Jeff Silberman; Sennheiser 441 (Front Row Balcony) > PCM > Dat >?; DAT Transfer Info: Friend's Dat (2 Hour) > (Possibaly 1 PCM) > (Unknown Cassette Deck) > Tape TDK MA 110; Transfer Information: Nakamichi MR-1 > Korg MR-1000 @ 1Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz
Grateful Dead
by Grateful Dead
etree
eye 5,107
favorite 7
comment 3
favoritefavoritefavoritefavoritefavorite ( 3 reviews )
Source: (Front Row Balcony) Sennheiser 441 -> PCM -> Dat -> CD -> Dat
Grateful Dead
by Grateful Dead
etree
eye 491
favorite 0
comment 0
Source: Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Nakamichi CM100/CP4 Shotguns > Unknown Mixer > Sony TC-D5m, Tapes Maxell MX-90's; Recorded From The Official Taper's Section; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
etree
eye 207
favorite 0
comment 0
Source: Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
etree
eye 494
favorite 0
comment 1
favoritefavoritefavoritefavoritefavorite ( 1 reviews )
Source: Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD-8-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
etree
eye 189
favorite 0
comment 0
Source: Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
etree
eye 645
favorite 0
comment 0
Source: Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Nakamichi CM100/CP4 Shotguns > Unknown Mixer > Sony TC-D5m, Tapes Maxell MX-90's; Recorded From The Official Taper's Section; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
etree
eye 272
favorite 1
comment 0
Source: Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD-8-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
etree
eye 5,072
favorite 9
comment 7
favoritefavoritefavoritefavorite ( 7 reviews )
Source: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Grateful Dead
by Grateful Dead
etree
eye 1,564
favorite 2
comment 1
favoritefavoritefavoritefavorite ( 1 reviews )
Source: AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Joe Morrone.